The 2024 Undergraduate Graduation Project Exhibition involves 7 majors and 4 directions in the design discipline: ceramic art design (daily ceramics, industrial ceramics), product design, Environmental design (interior design, landscape design), visual communication design, animation, public art, digital media art, more than 600 graduates participated in the exhibition, and more than 470 pieces of works were exhibited.
The theme of this exhibition is "Following the Light". It is not only a record of design behavior, but also an advocacy of value pursuit. "Light" is the most mysterious, pure and simple existence in the universe. It is the sower of hope and the enlightener of wisdom. Light, like the seeds of hope, is quietly sown in the mountains and rivers, giving life and vitality to the growth of all things. "Light", with its unchanging eternity, illuminates our way to explore the unknown world and ignites the love and warmth in our humanity. Our design needs light, and we need to use it to illuminate the vision of design and humanities, to deeply explore the essence and meaning of design, and to ignite the creation and imagination of "designing for a better life".
"Walking in the light" is not only a tribute to love, but also a relentless pursuit of perfection. It is also a constant move forward under the guidance of the ideals in the heart, Keep going beyond. Just like the works in this exhibition, each work actually shines with a beam of light. The students gave full play to their design creativity and imagination in combination with the theme, and integrated their keen observation and understanding into the theme design and creation, forming a rich and diversified form of design works, highlighting their own characteristics and style.
The works of the students are like bright stars, shining under the theme of "Following the Light". It is not only the practice of design language, but also the in-depth construction of design concepts, and also the delicate care for human nature and the living environment. Demonstrate deep concern and unique insights into human nature and life.
Needless to say, four years of study cannot create a perfect designer, but we hope that students will explore more, try more, innovate more, and pay attention to design The essence of design inspires thinking and reflection on design, which will be the basis for sustainable development of future design careers. For the students who are about to graduate, the graduation exhibition will become an important part of their future college memories, an opportunity for students to communicate on design, and the beginning of their dreams.
Thanks to the more than 100 instructors of the School of Design and Art for their hard work, and to the students for presenting a design feast to everyone. I wish the students will go further and further in the design road, let us work together Have hope in your heart and walk in the light.
Jingdezhen Ceramics University School of Design and Art
Deputy Dean (in charge of administrative work) Yu Jianfeng
May 10, 2024
Professional Introduction |
The ceramic design major is one of the oldest majors at Jingdezhen Ceramics University. It is a specialty major of the Ministry of Education. In 2019, it was rated as one of the first batch of national first-class majors by the Ministry of Education. point. This major has gathered a group of outstanding ceramic art design teachers with great influence, including the "Daily Ceramics Design Teaching and Practical Research Team" and the "Ceramic Modeling Series Courses" provincial teaching team. In 2018, the comprehensive evaluation of undergraduate majors in Jiangxi Province ranked first, and it was supported by the province’s “Advantage Majors”. In 2022, it was rated as a five-star undergraduate major in ordinary universities in Jiangxi Province.
Professional features |
The ceramic art design major has a profound cultural heritage and historical inheritance. It relies on the advantages of Jingdezhen base schooling and school ceramic education, and closely focuses on the development of today's ceramic industry and corporate talents. Cultivate and establish a reasonable and scientific professional training system to cultivate innovative ceramic design talents that meet the development needs of the times. Its strong teaching staff, interdisciplinary knowledge integration, equal emphasis on practice and innovation, integration of industry, academia and research, and a teaching model with an international perspective provide a strong basis for cultivating ceramic art design talents who can adapt to the needs of contemporary society and have an international perspective and innovative ability. in accordance with.
01
"Wanhua Butterfly" ceramic tableware
Author|Lin Yingyi
Instructor|Wang Hao
Work introduction
This tableware design combines blue and white art with modern design language, inspired by blue butterflies and kaleidoscopes. The design aims to create a unique visual feast, allowing people to feel the wonderful fusion of nature and human creativity while dining, and also to revitalize traditional Chinese ceramic culture. We hope to meet you here and make every meal a wonderful encounter.
02
"Fengrui" ceramic tableware design
Author|Han Xinyu
Instructor | Jiang Xi
Work introduction
This set of tableware is inspired by the grape pattern of sea beasts in the Tang Dynasty, and introduces the characteristics of fruitful, plump and plump into the design, making the beautiful meaning of the pattern and tableware combination of shapes. While meeting the needs of consumers, it can also help traditional culture and modern design concepts blend together and radiate new vitality.
03
Fugui
Author | Huang Yixin
Instructors | Zhang Yalin, Lu Juan
Work introduction
The "Fugui" series of ceramic brunch utensils are themed with osmanthus, which symbolizes good luck, good luck and abundant harvest, and is intended to bring a sensory experience of the fragrant osmanthus fragrance to the meal. . Based on the popularity of Brunch culture, combined with the environmental characteristics of Brunch restaurants, and with the urban middle class who pursue quality life as the main user group, abstract deformation and comprehensive design of osmanthus elements are carried out, striving to achieve a design effect that is both practical and aesthetic.
04
Dream outfit-ceramic coffee set design
Author|Liu Ying
Instructor|Li Xue, Liu Jing
Work introduction
Inspired by the popular fashion style of the 1980s, the shoulder pads and belts are abstractly refined and integrated into the design of the coffee set. The exaggerated forms and shapes of Memphis style are used in the decoration. Vibrant colors. Visually, it immediately reminds people of the confident posture of women in the 1980s, like tall and straight pines and cypresses, but also a bit playful and cute, fully demonstrating the unique charm of women. The design creates a strong sense of rhythm and interest to enhance people's pleasure when enjoying coffee.
05
"Weishan" ceramic flower pot
Author|Qiu Kexin
Instructor|Li Xue
Work introduction
The "Weishan" flower vessel design aims to explore how to cleverly integrate the tapestry craftsmanship with the elegant style of Ding kiln ceramics, using ceramic flower vessels as a carrier to reproduce the aesthetic charm of the Song Dynasty. The design is inspired by the exquisite art of the Kesi Tuanfan, combining this traditional craft with the characteristics of Ding kiln ceramics, aiming to capture the tranquility and elegance of the Song Dynasty aesthetic. Let people feel a unique cultural charm and life interest in the process of daily flower arrangement.
06
"Li" ceramic tableware
Author|Wang Zexu
Instructor | Jiang Xi
Work introduction
From ancient times to the present, ritual culture has had a profound impact on Chinese civilization. As the material carrier of "paying equal attention to morality and etiquette", "jade" is often used as a metaphor for noble moral character. Now the jade pattern is used as the material, and its interspersed and stacked characteristics are introduced into the design, giving users a relaxed and bright visual effect.
07
Group
Author|Zhu Tiantian
Instructor|Zhang Yalin
Work introduction
With the popularity of Chinese culture, Chinese afternoon tea has gradually come into people's vision. This set of designs is aimed at the eating habits of Chinese afternoon tea and uses the round fan as the design theme. , choose the representative shape of the round fan, and design the tableware from multiple angles to fully demonstrate the beauty of the round fan shape. The traditional decorative patterns are geometricized and fresh and lively colors are used for decoration. Finally, the glaze is painted with gold as an embellishment. allThe set design is a combination of traditional culture and modern design. At the same time, it uses the auspicious meaning contained in the fan itself to send good wishes to users, and brings a better experience to users in terms of practicality and aesthetics.
08
"Sheep's Hide and Seek"
Author|Fu Xueyan
Instructor | Jiang Xi
Work introduction
The overall shape of this set of afternoon tea coffee sets is transformed from the abstract characteristics of sheep, and the decorative design is also determined based on the transformed shape. , the color contrast of black, white and gray is cleverly integrated into the decorative design, making it visually more layered, while the golden embellishment adds a touch of brilliance and gorgeousness to the whole. The abstract generalization makes the whole set of works require the viewer to find out the sheep elements after observation, making it look like playing hide and seek.
09
No Dome
Author|Guo Jingyuan
Instructor|Wang Hao
Work introduction
The title of this work is "无空", which means "the universe is vast and boundless, and it is difficult to find boundaries." If you taste it carefully, its core is "get rid of the shackles of gravity and travel in space." Borrowing aerospace elements to express people's beautiful sustenance for life and opening the windows of people's hearts with a childlike perspective.
10
Hibiscus
Author|Liu Shiyu
Instructor|Zhang Yalin
Work introduction
This design combines the application of dopamine style elements and lotus elements in ceramic tableware through the analysis of the current situation and consumer demand of tableware in the domestic market. Yayoi Kusama’s polka dot elements were the inspiration for the decor. The combination of the vitality, creativity and uniqueness of the dopamine style with the popular word "lotus" meaning "good luck" makes the product not only carry the traditional Chinese culture, but also meet the needs of modern young people and office workers for positive emotions.
This design hopes to make consumers feel a pleasant, optimistic and positive emotional experience when using the product, so as to better understand and understand the traditional Chinese culture. charm, and integrate it into the aesthetics of contemporary life to create tableware designs that imply emotional value.
11
"Spring Colorful" Ceramic Tea Set Design
Author|Shen Jiaxin
Instructor|Wu Lixin
Work introduction
The theme selection background of this ceramic tea set is based on the current social phenomenon of "her economy". I hope that more contemporary women will have the courage to break through traditional prejudices and show their unique charm. At the same time, we grasp the trend of the times, expand the market demand for ceramic tea sets through innovative design, and strive to create products that are both practical and beautiful.
12
"Xiyan" ceramic tableware design
Author|Wang Weiwei
Instructor|Wu Lixin
Work introduction
With the rapid development of tourism in recent years, the demand for porcelain in artistic B&Bs and hotels has increased rapidly. This design is a design that pays attention to this phenomenon and combines the shape of the sunset flower flowers. This design uses the shape characteristics of the sunset flower and the shape of the vessel in the design, and selects the shape of the sunset flower when it is in full bloom in the decoration. Designed into patterns as unit elements and seeking new decorative methods to display them in the form of relief. This design can provide a new choice for porcelain in art B&Bs and hotels, and at the same time show the unique charm of ceramic tableware.
13
"Turtle (returns) to nature" daily ceramic tableware design
Author|Xiao Xiaofang
Instructor|Zhu Junxi
Work introduction
This graduation project takes Dunhuang decoration as the research object and explores the application methods and techniques of the turtle pattern in the design of ceramic tableware. The turtle pattern is represented by six sides It is famous for its geometric pattern, which originated from the cracked texture seen when tortoise shells were roasted during divination in ancient times. It has the function of predicting good and bad luck, and gradually evolved into an auspicious visual symbol due to its mystery.
14
"CREVICE/Gap" ceramic product design
Author| Fu Wei
Instructor| Gao Hu
Work introduction
This product is an interactive ceramic tile product based on the principle of light and shadow aesthetics. It uses this principle to stimulate user creativity and interactive experience, bringing new possibilities to ceramic tile design. By cleverly processing the ceramic tile surface and Layout design, using changes in light and shadow to create rich and diverse effects, creating a sense of spatial hierarchy and dynamics
15
"灁" outdoor partition brick product design< /p>
Author| Wu Xueying
Instructor|Qiming
Work introduction
With the policy of strengthening cultural confidence and guiding young people to innovate and inherit traditional culture, my design incorporates the two elements of window lattice and bamboo in Chinese gardens. "It's better to eat without meat than live without bamboo." Bamboo elements are embellished with empty windows in Chinese gardens to increase the depth of field and expand the space, making people feel like they are in a bamboo forest, which further enhances the effect of separation and continuity.
16
"GEO" geometric style bathroom product design
Author|Wang Shouming
Instructor|Qi Ming
Work introduction
The name of the work is "GEO", which is the first three letters of "geometry". The design is inspired by the representative works of the Dutch "De Stijl" and the exploration of minimalist style in modernist design. Adopting regular and straight lines, the color scheme is white, black, blue-gray, and a small amount of orange, which is "simple and decent, sophisticated and appropriate" to provide users with a simple, comfortable, convenient, safe and functional bathroom space.time experience.
17
"Pianpian" architectural ceramic product design
Author|Shao Yuyao
Instructor|Gao Hu
Work introduction
My design is based on traditional ceramics, supplemented by emerging materials, to create architectural ceramic tiles that are both functional and ornamental. The combination of ceramics and acrylic has unique advantages in design, practicality and environmental protection. Together with the rhythm and light and shadow effects, this architectural ceramic product - Pianpian is created.
Review｜Zhao Haozheng, Zhang Sancong, Deng Xiangyu, Wang Hao
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